Subject: Don't forget the meeting, tomorrow at 9.00.

From: "Armand S." <[email-masked]>
Date: Fri, 11 Jan 2008 23:48:38 -0200

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University campuses have become a familiar sight in most Australian
towns and cities, and overall participation in higher learning has risen
sharply. Institutions varied in size, but not in purpose or ambition.

Seduction comes into it – biographer, subject, copyright holders, the
inevitable widows and grandsons – but so too do all sorts of subjective
factors: stamina, availability, finances, sheer interest. Access initiatives
lifted the number of indigenous Australians going to university, while women
and people of non-English speaking background achieved rates of
participation at or exceeding their percentage of the population. The
improvement in service has been so minimal that a new joke has taken hold —
Please Hold Candle.

Galati asked the producers to bring in Graciela Daniele to rework the
musical staging. He is a textile manufacturer in Kano, and his factory used
to produce 3,000 cotton jersey garments a day. On the opposite side of the
screen, there were scrolls of e-mail messages that other MySpace members had
sent him: friendly, uncapitalized, hallucination-free greetings.

While the student body did not become significantly more diverse, free
tertiary education met some of its goals. It’s a smaller longlist this year:
Peter Carey’s Theft: A Love Story (Knopf), John Charalambous’s Silent Parts
(UQP), Sandra Hall’s Beyond the Break (HarperCollins), Kate Legge’s The
Unexpected Elements of Love (Viking), Richard Flanagan’s The Unknown
Terrorist (Picador), Gail Jones’s Dreams of Speaking (Random House), Deborah
Robertson’s Careless (Picador) and Alexis Wright’s Carpentaria (Giramondo).
The closing date is August 31, and the winner will be announced in December
2007.

The winner will receive $10,000, making it one of the world’s most
lucrative essay prizes. How to provide for so many new students?